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Beth: We're looking at a gold mask,
that Schliemann referred to as, "Agamemnon."
He actually, when this was on earth, said,
"I have gazed into the face of Agamemnon."
Now, Agamemnon was the great Greek hero
of Homer's Iliad.
Steven: We know now that this is not Agamemnon,
but what a great publicity stunt.
What we do have, is an enormous cache
of gold objects, from the grave circles,
where we found many bodies, surrounded by
And, in a number of cases, a figure would be wearing
a gold mask.
Beth: They were found fastened to the faces
of the deceased people in these graves.
Steven: And if you look closely,
just next to the ear, you can see small holes,
where we think there was some sort of string,
that kept it fast to the face.
Beth: Now there are two grave circles
at Mycenae, that Schliemann found and excavated:
Grave Circle A, and then also Grave Circle B.
Now Schliemann was a businessman,
and a kind of amateur archaeologist,
so, some art historians have questions,
especially of the one very fine mask
that he referred to as, "Agamemnon."
Steven: There's speculation that Schliemann
may have over-restored it, and made it a little more
attractive to nineteenth-century sensibilities.
Beth: But, there's also many art historians
and archaeologists who find this completely authentic,
so, we just want to have a little bit of caution.
Steven: What we do know, is that the vast majority
of the cache that was found is authentic,
and gives us our clearest understanding
of this bronze-age culture.
The technique that was used here, is a hammering
of the gold, so that it becomes very thin, and very flat.
And then, it was probably hammered against a wooden mold,
in order to create the kind of sculptural form
that we see.
Beth: Schliemann worked on these two grave circles,
which had many shaft graves in them,
and in those shaft graves,
what were obviously very important, powerful families,
were enormous amounts of gold objects,
not only these gold masks, but also necklaces,
bracelets, cups, boxes, crowns, breast plates.
Steven: There were also swords and daggers;
the estimate is that there was some thirty pounds
of gold that were found.
Beth: Well, and it's important to think
about where Mycenae is;
Mycenae is a citadel: fortified, palace, hilltop.
and it overlooks a vast valley.
The citadel of Mycenae gives its name
to this entire culture on the mainland,
that we call Mycenaean,
because this culture dominated the mainland of Greece,
and traded far and wide across the Mediterranean.
Steven: Right, Mycenae is one
of the three primary cultures of Ancient Aegean culture,
that is, these bronze-age cultures that come
before the ancient Greece that we all know of,
of the Parthenon, of the Greek Gods, etc.
This is the period that was the stuff of legend
to the Greeks that we know better.
What we know of Mycenaean culture
comes from these physical artifcats,
from the citadel itself, from their various other outposts,
and from these treasures.
And that's because there was so little writing
that we have discovered.
There was a little bit of what we call, "Linear B" script,
but we do not have the kinds of records that we have
from ancient Egypt, or that we have from Mesopotamia.
Beth: Some art historians and archaeologists
have referred to this culture as being, "warlike,"
especially in opposition to Minoan culture,
which is seen to be more peaceful.
Steven: Well there are reasons for this:
For one thing, Mycenaeans lived in heavily-fortified cities,
whereas the Minoans had great palaces
that were much less fortified.
We find a lot of weapons, but whether or not
that was offensive or defensive, we don't know.
Beth: So it's very hard to make generalizations,
about the character of these people.
Steven: But one can only imagine the kind
of extraordinary delight,
when Schliemann unearthed these graves.
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